Also known as silkscreen printing or serigraphy, screenprinting, in its most basic form, is the process of using a stencil to apply ink onto another material. Silkscreen printing was first developed in Japan, and is so called because silk was traditionally used in the process before the invention of polyester mesh.
Multi-coloured screenprinting, as is most commonly used today though, was developed in twentieth century America, and is how artist Simon Tozer makes the delightfully playful prints he has become known for. We went to visit him in his Bristol studio to find out just exactly how he makes them, and this is what we saw:
1. Firstly, Simon draws his image onto a transparent overlay, then traces over the original drawing in more detail with paint.
2. Simon then prepares the screen by coating it with a photosensitive emulsion. This is left to dry in a dark, heated space.
3. Once the screen is dry, the image is placed up-side-down on top of it and is exposed under a light for roughly 10 minutes.
4. Simon hoses down the screen, washing away the areas that were not exposed leaving a negative stencil of the image on the screen.
5. After selecting his squeegee, Simon takes an acrylic based paint and firmly pushes the paint over the stencil.
6. The piece is then left to dry, and the entire process is repeated with different colours to create a multi-coloured screenprint.
7. Et voila, there you have a screenprint! Unwanted Hair, by Simon Tozer:
